Richard Stallman, godfather of the copyleft movement, founder of the Free Software Foundation, original developer of GNU and author the GPL, spoke at Cardozo Law on March 31 on “Copyright vs. Community.”
I hadn’t previously experienced a Stallman lecture. I had certain expectations though, and I wasn’t let down. His juvenalian satire may make his message less accessible to some, but his humor-laced expressions of anger at the establishment go a long way in motivating a certain slice of the copyleft crowd. (I’ve explored the growth of the copyleft movement on Biella Coleman’s Hacker Ethics class blog, as well as the relationship between the lulz and geeky activism in an essay for Clay Shirky’s Election2008: User Generated Media and the Political Process class.)
Stallman came out swinging and didn’t let up. About 20 minutes in, the ideas that the wild, bearded man was raving about actually started to click into place. The air in the room changed as he steadily won the crowd over. Nervous laughter transformed into genuine guffaws.
Stallman presented a bold plan for the future of copyright. (Joey deVilla at Global Nerdy has posted a detailed outline of a lecture by the same title that Stallman gave at the University of Toronto in July.) In short, Stallman proposes that we divide copyrighted works into three categories based on what they mean to society:
- practical functional works (software, reference works, educational works, recipes, fonts, etc.)
- must be free (as in freedom) for the user to do just about whatever she wants
- non-commercial sharing allowed
- modification and derivative work allowed
- works that witness the thoughts of certain parties (academic work, essays, blogs, etc.)
- non-commercial sharing allowed
- commercial re-distribution prohibited
- modification prohibited (modification = mis-representation of the author’s ideas)
- arts and entertainment
- non-commercial sharing allowed
- monopoly over commercial redistribution granted to creator for 10 years
- monopoly over modification and derivative work granted to creator for 10 years
His proposed solutions are quite different than the proposals in Lawrence Lessig’s “Remix”. The unanswered questions in both Stallman’s and Lessig’s proposals can be forgiven at these early stages, as they are outlines that need further fleshing out. They aim to illuminate a potential way of dealing with the “Digital Dilemma” we are faced with as costs of reproduction and distribution approach zero. Both plans are built on insights into the nature of creativity, motivation, and commerce in the digital age. These proposed solutions are a positive step forward, and a pleasant change from the overwhelming outcry against the the status quo that tends to dominate copyleft discourse.
Throughout the lecture, Stallman was uncompromising… but if anyone in the copyleft movement has earned the right to be dogmatic, it’s Stallman.The Q&A that followed was entertaining but uncomfortable as Stallman forced every questioner to clarify and re-phrase their questions using his preferred verbiage. The mood lightened considerably when one questioner, in response to Stallman’s chastising “I don’t understand what that would mean!?”, responded “Whichever makes you the most angry.”
Whether you agree with Stallman’s delivery or not, his proposal is clear and worth considering. I don’t think it is even close to attainable in the short term, but it is informed by a lucid and frank, albeit one-sided, assessment of the current situation we find ourselves in.
As usual, thanks goes out to Joly at punkcast.com for recording the event. (FYI– Ogg files can be played easily using the VLC player.)